8 out of 10 |
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Reactions might be mixed to the "8 Mile," but
one thing is for certain, it is not possible to see the film without have
a lot to say about it afterwards.
Eminem, the contraversial rap artist
appears in this autobiography covering the early part of his life, rewritten
with artistic licence and the names changed - for instance with his own
reset to Eddie "Rabbit" Smith. And if this seems a lot like the current
trend of singer Carey in "Glitter" and Britney Spears in "Crossroads,"
think again, for this is a driven man, not just in acting, but in everything
that his warped genius constitutes.
Set in unimaginable poverty of the slums,
the story of "8 Mile" is at times overly long, but packs a powerful
punch with an almost Shakespearian blend of comedy, tragedy, loyalty and
betrayal, and truly well-fashioned irony built upon twisted social dilemmas.
Rabbit is trapped in poverty as poor white
trash, living in a trailer with his stupid, alcoholic
mother, by a rich rap elite who are known as the "Free World" and led
by a privately educated guy with wealthy parents. To escape, Rabbit must
beat the "Free World" at the "rap" contest at the ironically named "Shelter"
night club, where one of his DJ friends works. Here, rap artists stand
on stage, to trash each other face-to-face for 45 seconds in turn. All
of Rabbits friends know that he can win and are well-defined characters
not the usual black stereotypes: the DJ who deeply believes in him, the
pug-dog buffoon who can`t stop making a fool out of himself but who is
uneducated white trailer trash like himself, the fat kid who`s always
first by his side in the event of trouble and just wants to get laid and
the intellectual who thinks deeply about the causes of the urban blight
that surround them. Yet, as the one talent amongst them, Rabbit is the
only one who doesn`t believe in himself and so fails with stage-fright
each time.
A truly faulted character at the start of the film, he summarily dumps his girlfriend who says that she is pregnant and yet ironically, this turns out to have been a lie that she made up to keep him. He instead falls in love with Alex, a beautiful dishwasher who adores him and knows that he will reach the top. Despite this, their romance is doomed, as she leaves him to sleep with anyone who can get her out of the slums of New Jersey and on to New York. Through all this Rabbit has the blind loyalty of them all except just one - the only one who can actually change his life - a young man who works at a recording studio. Throughout the picture, it is not just on the grand scale, but on a tiny scale that the well-crafted irony leaves the audience constantly wanting to laugh and cry at the same time. For instance, on Rabbit`s only visit to a recording studio where he dreams of reaching, he walks in on Alex having sex with his friend; with recording studios being soundproofed, there then follows the ludicrous scene where in the foreground, a group of rap artists are discussing with a DJ how their music brings harmony, whilst through a window behind their head, the audience can see, unheard, the furious punchup between Rabbit, Alex and his friend in the next, otherwise empty studio.
Much has indeed been said of
the three sex scenes in the film, but I was surprised at their nature.
For years, studios and writers have fibbed about their relevance to the
plot, but here they are an essential element of the true pathos. Far from
being visual, with less anatomy shown than on 10 seconds of "Baywatch"
(Kim Basinger`s bare back being the most noteworthy) it is the circumstances
of the sheer betrayal and the sordidness that really shocks us.
Supported as mentioned by Oscar-winner, Kim
Basinger as his drunk mother and the laughably underrated
Brittany Murphy as Alex, it is shot with the same style of camerawork
as "Saving Private Ryan." In an overly close-range to the characters,
"8 Mile" has a deeply uncomfortable "you-are-there-in-the-ghettos feeling
about it.
Film Critic: Robert L Thompsett |